Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
The report looks at the history of the movement and puts it in a policy context; 120 case studies of organisations were identified and numerous examples of all art forms; especially dance, drama, music, singing and the visual arts.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Drawing primarily on the Western dramatic canon, on contemporary British theatre, on popular culture, and on paratheatrical practices, the book investigates theatrical engagement with aging from the Greek chorus to Reminiscence Theatre.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
A limited edition publication exploring a series of innovative live performances and events.
The article analyses discourses surrounding the cancellation of Brett Bailey’s performance by the Barbican in September 2014.
From Tate Papers no.12
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Taking Dublin and Chicago as two contemporary urban sites for exploration, The MA in Socially Engaged Art (Further, Adult and Community Education) at the National College of Art and Design (Dublin) have partnered with Stockyard Institute (Chicago) to explore the physical, geographic and social fabric of the two cities.
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.