Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 3 of 4, see REF. D1109/D1112.
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars.. Disc 2 of 4, see REF. D1109/D1112.
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 1 of 4, see REF. D1109/D1112.
Tracing the history of Hong Kong performance art with a chronology and archival documentation. A4 folder, unbound pages.
Review of a LADA published DVD. Photocopy of original article.
Part autobiography, part archive, part historical meditation and part theoretical speculation on the first ten years of the company’s work.
Catalogue documenting McMurry’s oeuvre and writings
Includes interviews, reviews and critical texts.
Published in conjunction with the exhibition at the Natural History Museum.
On re-enactment in contemporary art and performance.
Removed from S/r for Gobsmacked conference at QMUL. Due for return 23/11/10Two discs with accomapanying text. One is from the original presentation at the 2006 Liverpool Biennial. The other is from the 2010 AV Festival.
Through the notion of ‘multicentricity', Cheng surveys performance art in Los Angeles from the 1960s through the 1990s.
Part of the Library of Performing Rights (LPR) (P3041).
Includes info on major performance artists.
On Incasso.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
A personal history of Franklin Furnace
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Records the history of the post-war African and Caribbean diaspora, tracing the transformations of Black culture in British society.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Includes: Shakti, Aradhana, A blend of Red and Blue, Genesis, Remotecontrol, The Last Supper (live), Barflies – Clips of – , Maureen, Claire, Jasmine. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
Documentation and writings on Kirkup's collaborative project on the future and past of the medical body, from 2000
Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Retrospective look at Performance Art in Vancouver, 1965 – 2000.
Artist book: chronicles the history of conquest and economic interdependence that has shaped the Americas from Columbus to the 1990s.
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Marina Abramovic’s lecture on performance art, including screening of both her performances and of other artists.
Marina Abramovic’s lecture on performance art, including screening of both her performances and of other artists.
Aunt Bill is an automythography performed as part of 'It's not Unusual', an international season of performance, ICA, London (June, 1994).
Article filed in Miscellaneous Articles folder 4.
A guide to the groundbreaking yet frequently marginalised practices of artists working in performance art in the UK in the 1070s.
Publication to coincide with Life, Once More exhibition about reenactments of performances, 2005, Rotterdam
Includes 249 performances in the words of their creators and a comprehensive index of the terms used to describe them.
Documentation of Cane (2012) for Archiving Cane exhibition, Singapore.
A collection of critical art reviews by Michael Bracewell 1995 – 2012
In The Dyas Sisters, you’re met with personal history write large. Richard Gregory asked Grace and Veronica if they would write a book in which they tried to describe everything that has happened in their lifetime, knowing from the outset that this was an impossible task. Every memory suggests another, each new approach to writing illuminates an alternative.