A publication documenting the first 40 years of Artsadmin.
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
SPILL programme; 25 October – 4 November, 2018, Ipswich
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
Accompanies the performance and exhibition Four Legs Good, Compass Festival, 17-25 November 2018.
A book about the implosion of nature and culture in the joint lives of dogs and people, who are bonded in “significant otherness”.
This volume, which originally appeared as a special issue of The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives.
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
A report on the five-year programme; the story of an undertaking that brought together art and heritage.