Catalogue > By Keyword > Guillermo Gómez-Peña
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Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Conversations Across Borders
A performance artist converses theorists, curators, activists and fellow artists.
Sacred at Chelsea Theatre: Bodily Functions - The Body in Performance
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
The Live Art Almanac Vol. 2
Brings together texts from a variety of sources representative of the most engaging, provocative and thoughtful writing about Live Art.
New Territories 10: International Festival of Live Art, Scotland
*currently unavailable*
Festival documentation. 2nd-21st March 2010
The New Global Culture: Somewhere Between Corporate Multiculturalism and the Mainstream Bizarre
Part essay, part chronicle, and part performance text about the new “global” culture, its main risks and contradictions, artistic and pop cultural products, major philosophical trends, and political dilemmas.
A Proposal for ‘the worst public artwork’ contest - part 1
Artist pages in Performance Research.
Performance Lecture Archive: Live Culture Lecture series
Documentation.
Artivisme: art, action politique et resistance culturelle
Publication in French
Live Culture Symposium: Performance and the Contemporary
Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
