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Catalogue > By Keyword > Pete Edwards

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Access all Areas : Live Art and Disability

Artist/Author: Various | Editor: Live Art Development Agency | Reference: P1864 | ISBN: 978-0-9561342-7-1 | Type: Publication

A collection of artists’ writings, performance documentation and films reflecting the ways in which artists, who work with Live Art, are engaging with issues of disability.

Sacred at Chelsea Theatre: Bodily Functions - The Body in Performance

Artist/Author: Various | Reference: D1709 | Type: DVD

Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Fat (Opening)

Artist/Author: Pete Edwards | Digital Reference: DB0100 | Type: Digital File

Documentation Bank: Pete Edwards

Artist/Author: Pete Edwards | Digital Reference: DB0101 | Type: Digital File

Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Access All Areas: Symposium Two ‘My Body Did Everything I Asked it’

Artist/Author: Various | Digital Reference: EF5038 | Type: Digital File

Digital reference is folder containing four movies. Footage by Manuel Vason, (see also British Library recording, D1618).

Access All Areas: Symposium Two ‘My Body Did Everything I Asked it’

Artist/Author: Various | Reference: D1618 | Type: DVD

Digital reference is folder containing four movies. British Library Recording (see also footage by Manuel Vason, EF5038)

A Study Room Guide: Disability and New Artistic Models

Artist/Author: Aaron Williamson | Reference: P1529 | Type: Publication

Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.

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