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George Chakravarthi documentation
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
Schooling the Spectator in O
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
Walking Failure
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''
Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller
The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.
Sissy!
Documentation from a full-length dance-theatre piece created in collaboration with Biño Sauitzvy.
Directed by Judy Jacobs.
10'25''
Barbers of East London
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
Performance and the Maternal
Correspondences exchanged between the two authors as part of the Performance and the Maternal project.
I Love Dick
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.
A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk – taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again.
Because of Hair; The Dichotomy of Culture and Identity
Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.
