Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller
Notes
The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.
| Artist / Author | João Florêncio |
|---|---|
| Editor | Richard Allen and Shaun May |
| Publisher | Routledge |
| Reference | A0726 |
| Date | 2015 |
| Journal | Performance Research |
| Journal date | April 2015 |
| Journal page | 53-59 |
| Type | Article |
