Catalogue > By Keyword > embodiment
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Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Feminist Art and the Maternal
The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Theatre and History
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
Theatre and Mind
All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.
BODY
Published to coincide with the 1997 showing at the Art Gallery of New South Wales in Sydney, Australia, of works featuring nudes by around 100 modern and contemporary artists. Includes essays, artists’ bios, bibliography.
Embodied Avatars: Genealogies of Black Feminist Art and Performance
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
Monica Ross: A Symposium
The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.
Monica Ross: An Act of Memory
Lois Keidan discusses “Anniversary – an act of memory”, Monica Ross’s most recent series of work that took the form of a series of recitations of the Universal Declaration of Human Rights (UDHR) from 2005 until her death in 2013. of Acts of Memory.
Études Irlandaises – Suppressed Voices: The Suffering and Silencing of Irish Institutional Abuse Sur
This essay extracted from Études Irlandaises (n° 39-1) examines “Redress” (2010-2012), a series of performances by artist Áine Phillips that interrogate the legacy of abuse perpetrated in Irish residential institutions in the 20th century.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
The Operature
An exchange between the live body and ubiquitously distributed data-driven systems
Interactive Art and Embodiment: the implicit body as performance
Artist’s introduction to new media practice and its implicit body of performance
