Embodied Avatars: Genealogies of Black Feminist Art and Performance

Notes

Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.

Artist / Author Uri McMillan
Publisher NYU Press
ISBN 978-1479852475
Reference P2837
Date 2015
Type Publication

Keywords

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