Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
A comprehensive bibliography of writings on 'Action Art' in the twentieth century.
The Visual Force is the sixth instalment in the series Collective Histories of Northern Irish Art. Taking Joseph Beuys’ visit to Belfast, in 1974, as a starting point, Sverakova’s exhibition looks at the works of artists across three generations, whose works were in some way landmarks in their field. Featured artists: John Aiken; Vivien Burnside; John Carson; Brian Connolly; Martina Corry; Lynne Davies-Jones; Ciara Finnegan; Adrian Hall; Tony Hill; Ronnie Hughes; Steve Hurst; Sharon Kelly; Fiona Larkin; Alistair MacLennan; Paddy McCann; Moira McIver; Peter Richards; Dan Shipsides; Theo Sims; Una Walker and Charles Walsh.
Critical exploration of feminist art investigating femininity as a relationship to time
Art historian Claire Bishop discusses creative solutions for the politicised representation of the contemporary in today’s art implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana.
Collection of texts on Actionism in Vienna, including biographies and images.
Exploring aesthetics of the 1980s.
Exhibition catalogue, Dallas Museum of Art
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Pacific Standard Time is the culmination of a long-term Getty Research Institute initiative that focuses on postwar art in Los Angeles. Through archival acquisitions, oral history interviews, public programming, exhibitions, and publications, the Research Institute is responding to the need to locate, collect, document, and preserve the art historical record of this period. This is a small collection of mixed printed material from related events.