Catalogue > By Keyword > activism
574 results | Page 25 of 58
Personal mapping whose responsibility is it?
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
TRANSACTIONS #2
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Venice Agendas 2017: The Contract
A newspaper publication for the programme of activity taking place in London, Venice, Margate and Folkstone, bringing together artists, curators and cultural contributions from around the world.
Political Acts: Pioneers of Performance Art in Southeast Asia
Exhibition catalogue; Arts Centre Melbourne, 11 February – 21 May 2017
4 Radnor Terrace: A Woman’s Place
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
Dark Habits
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
Future Histories
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
Girls Make Noise or Girls Make a Difference?
An Investigation into the political efficacy of Pussy Riot’s art.
Pussy Riot Unmasked
Immediately after Nadezda Tolokonnikova and Maria Alekhina were released, Verwelius contacted the two, setting into motion an extraordinary photo shoot: using the activists’ stories and sketches of the prison camp, he depicted their living and working conditions there as an impressive picture series. In English and Dutch.
Delirium and Resistance: Activist Art and the Crisis of Capitalism
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
