Audio material from collaboration with Forced Entertainment and Live Art Development Agency, 1999-2000.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Excerpts from a zine. From the journal devoted to publishing the work of postgraduates, postdoctoral researchers, and entry-level academics in the fields of theatre and the performing arts.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Report about the Arts and Humanities Resarch Council funded prject.
A publication exploring how the arts sector can better support artists at key stages in their practice.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Each essay shares two fundamental premises. First, that the oppression of gays and lesbians is not an isolated case, and therefore their struggle is necessarily part of a larger movement for social liberation. And, second, that the experience of gays and lesbians uphold the basic tenets of a foundational Marxism, and that they are uniquely placed to contribute to a revitalisation of Marxist theory.