Eric Fong explores issues relating to medicine, the body, and disability, informed by his former profession as a medical doctor and his ethnicity.Recent works have been developed from working with people of diverse ages, abilities and cultural backgrounds.
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
ideo inspired by a Victorian female couple who were collaborative authors and lovers. Contemporaries of Robert Browning and Oscar Wilde, the two were known and published under the same name Michael Field.
2017, 9.46 minutes,
Moon River (and project description), 2018/2019, 10:47
Nest: Inhabit (and project description), 2019, with Samantha Sweeting, 11:42
The Empty Station (and project description), 2017, with Chris Spencer-Lowe, 5:58
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
Engages the virtually invisible subject of older women in western culture.
Part of Library of Performing Rights (P3041)
Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)