Small artist’s notebook containing fragments of dialogue
| Artist / Author | Kjell Caminha |
|---|---|
| Publisher | Kjell Caminha |
| ISBN | 9789198105117 |
| Reference | P2333 |
| Date | 2013 |
| Type | Publication |
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Includes instructions from more than 35 artists’ walks along with a section that features the insights and philosophy of Elastic City Founder who spent 14 years presenting and refining walks. The section, titled ‘Creating Your Own Walk,’ covers conceptual, narrative and logistical concerns, how to encourage participation and how to best promote this work.
Catalogue which accompanies films exploring the social, political and psychological dimensions of women's experience in contemporary Islamic societies.
Part of Library of Performing Rights (P3041)
A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.
The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
Stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation as different modes of practice enter into dialogue, overlap, collide.
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.
Zine of the research-based project, which uses objects left behind by those who are seeking a better life and/or have to move to survive. The objects were left behind on the Greek island of Lesvos and at a transition centre in Serbia and have been “borrowed” by people living in London, used to start conversations with young people, in installations and as part of performances.
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.