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Artist / Author | Guillermo Gomez Pena |
---|---|
Reference | A0025 |
Date | 1996 |
Journal | Performance Research |
Journal date | Summer 1999 |
Journal page | 27-29 |
Type | Article |
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
A book about the implosion of nature and culture in the joint lives of dogs and people, who are bonded in “significant otherness”.
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Brings together established and emerging practitioners who work with light, as material or subject.
Explores performance art through live manifestations and reiterations in photographs, film and video.
Provides a comprehensive overview of the development, theory and definitive characteristics of a rapidly developing and popular area of practice.
Constructs a genealogy of accelerationism, calling attention to early anticipations of accelerationism, and presenting new essays that document the emergence of new accelerationisms steeled against the onslaughts of capitalist realism, and retooled for the twenty-rst century.
Explores how video art addresses the interplay between external reality and internal states of mind. Exhibition catalogue; Virginia Museum of Fine Arts, January – August 2002.