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Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
On the Group's Brace up! and Fish Story.
Exhibition catalogue. 19 September 1999 – 3 January 2000, Wexner Centre for the Arts, The Ohio State University.
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Annual DVD publication presenting contemporary video works from Australian artists. Includes a publication of essays.
Artist catalogue, documenting work made between 2004 and 2009.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud.
Directed by Elizabeth LeCompte. With Scott Shepherd, Ari Fliakos, Koosil-ja, Alessandro Magania, Greg Mehrten, Daniel Pettrow, Casey Spooner and Kate Valk. Songs by Fischerspooner. 2 hours, 30 minutes
This item can be found in the locked glass cabinet.
Explores how different concepts of time – including linear clock time, the cyclical time of the planets and seasons, the rhythms of the body and individual memories – have impacted on and been reinforced by theatre throughout history, from medieval times to the present day.