Transcription of Black Arts Alliance’s residential on Black Theatre and Performance.
| Editor | SuAndi |
|---|---|
| Publisher | artblacklive / Black Arts Alliance |
| ISBN | 0-9542766-1-2 |
| Reference | P0334 |
| Date | 2002 |
| Type | Publication |
Celebrates the ten year anniversary of Shape Arts’ award, set up in memory of the sculptor.
Part of the Library of Performing Rights (P3041).
Davis explores definitions of entertainment, arguing that it can be found embedded in all forms of theatre, not just the ‘popular’.
Explores the different ways in which theatre has performed the rural from the medieval to the contemporary, and examines the changing relationships between place, performance and audience when theatre is staged in rural communities.
A concise overview of the shifting roles of theatre and theatricality in Scottish culture, asking important questions about the relationship between Scottish theatre, history and identity, and celebrating the recent emergence of a generation of internationally successful Scottish playwrights.
Six part anthology with chapters on the work of the Black Theatre Forum and the histories of Black and Asian theatres, histories of the major theatre companies, a document of the Sikh diaspora’s uproar over Behzti and issues of censorship, a critical interrogation of several dramatists and autobiographical essays by theatremakers.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
an anthology of source materials for performance
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Documents the group’s work across this six-year period. In addition to many video edits that have not been seen before, each video has an alternative audio track featuring interviews by Mel Jordan, Ilana Mitchell, Daniel Oliver, Stuart Tait, Sally O’Reilly and John McGrath. In these interviews members of Reactor (past and present) discuss each project, or aspects of the groups practice that impacted on a project in a particular way.
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.