Catalogue > By Keyword > women
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Fat Activism: A Radical Social Movemen
A fat activist with more than 30 years experience, lifts the lid on a previously unexplored social movement and offers a fresh perspective on one of the major problems of our times.
Memories of the Revolution: The First Ten Years of the WOW Café Theater
Collects scripts, interviews, and commentary to trace the riotous first decade of WOW.
Part of the Library of Performing Rights (LPR) (P3041).
Empowered Expression from Bausch and De Keersmaeker
On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.
Pina Bausch at the Theatre de la Ville, Paris
Review.
Mary Fulkerson
Discusses the work of a seminal figure in British New Dance.
Rambert’s Alston
From the special collaborative issue Rambert at the Big Top.
Easing the Load
The Spring Loaded Season as the Place.
Rosemary Butcher
On 10 Years On: a retrospective (Riverside Studios, 1985).
The Women - Feminism, Dance and Gaby Agis
On the launch of Gabi Agis’ company.
“I’m Still Coming” Coming to Power 2016 & 1993
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
How Does Freedom Taste?
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
