A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
On 26 December 2003 an earthquake destroyed over 90% of one of the most ancient cities of Iran, Bam. Nearly half of the inhabitants lost their lives and the impressive citadel was turned into dust. It also destroyed the most famous photo studios located in the old parts of the city. Iranian art historian and photographer Parisa Damandan decided to pay tribute to the victims by excavating, collecting and restoring the archives of five studios, supported by the Prince Claus Fund and AIDA Nederland. She was able to save at least 30,000 negatives, all memories of life in Bam before the city was ruined.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Addresses the work of women playwrights in Britain throughout the twentieth century.
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).