Catalogue > By Keyword > voice
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LADA Screens: Sahera Khan in Conversation
Video documentation of an artist conversation with Sahera Khan on 1st March 2024 at The Garrett Centre. This conversation followed screening of Sahera’s film My Glow as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Sahera engaged in a Q&A with the audience and gave a short BSL lesson.
In My Glow (2023), Aa mature, Deaf, Muslim, British Sign Language (BSL) mother shares her pregnancy journey through the pandemic, and how she coped with limited communication with others such as the health service.
This is a video file. For a version with closed captions, visit our vimeo channel
LADA Screens: Lucy Sheen in Conversation
Video documentation of an artist conversation with Lucy Sheen on 28th June 2024 at The Garrett Centre. This conversation followed screening of Lucy’s film Abandoned, Adopted Here as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Lucy gave a performative reading of the poem I Know This Face, followed by a panel on the complexities of post-pandemic working in cultural and performative spaces for British East and Southeast Asians. With Jennifer Lim (Chair), Rosa Fong, Lucy Sheen, and Moi Tran.
Abandoned Adopted Here explores the nature of belonging in the British society and the unheard, silenced, and often erased voices of British East and Southeast Asians with mixed heritages and complex identities.
This is a video file. For a version with closed captions, visit our vimeo channel
LADA Screens: Lateisha Davine Lovelace-Hanson in Conversation
Video documentation of an artist conversation with Lateisha Davine Lovelace-Hanson, on 26th APril, 2024 at The Garrett Centre. This conversation followed a screening of Lateisha’s film The Gift as part of our LADA Screens programme on Voice, Care and Healing. Lateisha was joined by collaborators Kes Gill-Martin and Ava Riby-Williams for a discussion and interactive sonic/music offerings.
The Gift (2022) is a single-take style short film, weaving together performance for camera, original sound composition and poetic storytelling that fuses speculative fiction and autobiography. We are invited into the artist’s home, to witness them playfully uncover (and reclaim) stories of grief, body, love, nature and home-making.
This is a video file. For a version with closed captions, visit our vimeo channel
Book Reviews - Shakespeare's Accents : Voicing Identity in Performance by Sonia Massai
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
The Universal Machine
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Black Performance Theory
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
hereafter
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
Conversations with Meredith Monk
Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.
The Little Book of Answers Vol.1
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
Noise, Water, Meat: A History of Sound in the Arts
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
