Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
Documentation from the exhibition at the Cambridge Darkroom, 1990.
Explores the early history of animal rights through the images and the people who harnessed their power.
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Interview with Laurie Anderson.
Exhibition Catalogue. Cambridge Darkroom, 1993.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
A publication exploring how the arts sector can better support artists at key stages in their practice.
Includes instructions from more than 35 artists’ walks along with a section that features the insights and philosophy of Elastic City Founder who spent 14 years presenting and refining walks. The section, titled ‘Creating Your Own Walk,’ covers conceptual, narrative and logistical concerns, how to encourage participation and how to best promote this work.