A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Combining classical and contemporary stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world.
Collects six of McMahon’s works that span across socio-political, queer and historical frames of discourse: Discontents, Scatter, City Of God, Heel, Honorable Discharge, Failure to Thrive (we small hours).
From 2008 to 2010, AA Bronson and Peter Hobbs collaborated to convene small groups of men in various locations in a secret group ritual titled “Invocation of the Queer Spirits.” The publication explores all five performances.
Argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. Boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order.
A fantasy in three acts presenting nine narratives from personal to scientific on the experience of desire, shame and identification of the material queer body.
The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.
Part of the Library of Performing Rights (LPR) (P3041).
Cards on the artist's Sissy trilogy, with quotes by Lois Keidan, Stephen Farrier, Catherine Silversone.
A fat activist with more than 30 years experience, lifts the lid on a previously unexplored social movement and offers a fresh perspective on one of the major problems of our times.