A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocío Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
On performing feminist values for children.
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
A selection of texts on the festival, its topics and atmosphere.
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.