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Catalogue > By Keyword > feminist art

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Sweet and Sour and Super-t-Art

Artist/Author: Emily Elizabeth Goodman | Reference: A0828 | Type: Article

Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance ­Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit

Empowered Expression from Bausch and De Keersmaeker

Artist/Author: Janet Adshead-Lansdale | Reference: A0816 | Type: Article

On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.

Eleanor Antin: Real Time Streaming catalogue

Editor: Rachael Thomas | Reference: P3514 | ISBN: 0902683527 | Type: Publication

Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001),  Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).

“I’m Still Coming” Coming to Power 2016 & 1993

Editor: Ellen Cantor | Reference: P3521 | ISBN: 9780997444636 | Type: Publication

A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.

Part of the Library of Performing Rights (LPR) (P3041).

Complicating Authorship : Contemporary artists’ names

Artist/Author: Nicola McCartney | Editor: Konstantina Georgelou & Janez Janša | Reference: A0774 | Type: Article

Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.

Women, the arts and globalization

Editor: Marsha Meskimmon,‎ Dorothy C. Rowe | Reference: P3532 | ISBN: 978-0719096716 | Type: Publication

The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.

Sarah Lucas: Au Naturel

Artist/Author: Amna Malik | Reference: P3489 | ISBN: 978-1846380549 | Type: Publication

Does art have a sex? A study of Lucas’s famous assemblage of objects that suggest male and female body parts.

The Power of Feminist Art: The American Movement of the 1970S, History and Impact

Editor: Norma Broude, Mary D Garrard | Reference: P3510 | ISBN: 0-8109-3732-8 | Type: Publication

Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.

Part of the Library of Performing Rights (LPR) (P3041).

Perra

Artist/Author: Regina José Galindo | Digital Reference: EF5274 | Type: Digital File

Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.

Part of the Library of Performing Rights (LPR) (P3041).

Himenoplastia

Artist/Author: Regina José Galindo | Digital Reference: EF5279 | Type: Digital File

A surgery reinstates the hymen.

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