A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
Exploring movements through private-public space in the city, the impact of urban surroundings on us and our relations with each other.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
A journal of a forty something mother/artist with two sons aged 5 and 13.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Curated by LADA for Something Human's Cross-Cultural Live Art Project 2014 (CCLAP), this programme draws on resources housed in LADA’s Study Room and materials acquired for it’s current Restock Rethink Reflect research project on Live Art and Feminism. Featured artists will include Áine Phillips, Monica Ross, Anne Bean, Kira O’Reilly, Noëmi Lakmaier and La Ribot.
Artist catalogue produced for the solo performance “Masha Serghyeevna” (Bluecoat, Liverpool 2009), also gathering an overview of the artist’s work between 2004-2009.
Between 2013-2014 LOW PROFILE were Artsadmin bursary supported artists. As part of their bursary, LOW PROFILE presented a showcase titled, The Event Formerly Known As Stand Ins at Toynbee Studios, producing a newly updated version of the LOW PROFILE newspaper for this event.
Immersive Life Practices talks to Chicago-based artists and authors about life as an art practice and art as a life practice. The contributors explore a range of concerns, from how to be holistic, ethical, or practical; to how to balance life and work; to formal questions of how to represent a never-ending project.
Review of the performance One Thing Follows Another by Gail Priest and Jane McKernan, at Performance Space in Sydney, Australia, August 2014.