Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.

Contains Courts drawings, notes, sketches and ideas for performance from his notebooks over a period of five years.

A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.

Part of the Library of Performing Rights (LPR) (P3041).
 

A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.

While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.

Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.

Publication 'arrived' after participation in a six-day festival curated by  ]performance S p a c e[ in 2016.

Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.

Three conversations with different interlocutors from a range of fields, designed to present a nuanced portrait of the artist at a particular moment in time.

An offline version of the website www.justfornow.net in March 2004.

Part of the Library of Performing Rights (LPR) (P3041).