The monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation.
A durational piece which seeks to articulate politics surrounding the viewing of the female body, engendered roles and labour.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Video installation, inspired by cases of institutional abuse in Ireland, especially the Magdalene Laundries.
Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.
Shiro Masuyama and Sinéad O'Donnell drive from Tokyo to Fukushima tracking the level of radiation. The hot spots are in and around regular places; highways, playgrounds and some as far out as a UFO museum.
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This book examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
SHIFTwork is the collective name for a series of commissioned performances which focused on the physical act and process of painting as a form of performance art. This catalogue documents the first collaboration, ‘Cathedral of Joy’, occurred with New York artist Fritz Welsh on a series of paintings in full view of the public whereby the gallery became a public studio revealing in real time and on continuous webcam transmission what is ordinarily the private practice of painting.
The catalogue for an exhibition at Kasa Galeri, October 31 – December 5 2014, curated by Marquard Smith and exploring, with a peculiar British sense of humor, how art can face up to the social and cultural challenges.
A continuous 12-hour conversation / presentation about the US Constitution on election day in 2012.
In Miscellaneous Articles 4 folder. Review of the work by Monica Ross involving a series of public recitations of the Declaration of Human Rights from memory together with other co-recitors.