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Howard Matthew: in practice
Includes previously unseen footage of the artist preparing and practicing his material.
Say Yes or Die: Anne Rochat, Gilles Furtwangler, Sarah Anthony, Matthieu Gafsou
photographic documentation and text
Jo Spence: The Final Project
Documentation of Jo Spence’s battle with leukaemia leading up to her death
Andrea Fraser: Texts, Scripts, Transcripts
A selection of the artist’s recent texts
How to Let an Artist Rifle Through Your Archive
Documenting artists and researcher collaboration at Epstein Archive
Valie Export
interviews and documentation of Valie Export’s work
Entertainment Island 6. Book
Performance-company Oblivia looked into popular culture and entertainment by means of performance, photography and film in the project Entertainment Island spanning over three years. In Entertainment Island 6. The Book. Oblivia has collected texts, interviews and round table discussions on the theme and the processes behind the work.
Radical Gestures: Feminism and Performance Art in North America
In Radical Gestures, the first comprehensive history of feminist performance art in North America within the social context of the feminist movement and avant-garde art from the 1970s to 2000, Jayne Werk shows that artists drew from feminist politics to create works that, following a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
Brian Conolly, Artist’s Collection
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
Archivi Affettivi / Affective Archives
Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.
