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No Tail
Artist Ruth Ewan invited Strood residents to share their skills and knowledge of the town’s heritage, hidden stories, myths past and present, to be weaved into a subversive pantomime for the town. This performance programme includes the full script, invited writings and local archive material.
Performed on 22nd December 2015.
Silent Explosion: Ivor Davies and Destruction in Art
Exhibition catalogue. In Welsh and English.
National Museum Cardiff, 14 November 2015 – 20 March 2016.
ZAHOPLENNYA
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
Izolyatsia 2012
A report on artistis-in-resdiency, art projects, educational events, creative village, inernational cooperation; includes end of year results.
Meno parkas archive
Includes catalogues summarising the gallery's work (Meno parkas 2015, Meno parkas 2014, Meno parkas 1997-2012) and the catalogue of contemporary art festival (Kaunas in Art: Artists, Institutions, Projects, 2011)
Agit Prop: Performance in Banff
Catalogue from the first performance series held at The Banff Centre and in Alberta. 9-25 July 1982.
NAVIGATE book 1
NAVIGATE 1 was two-day immersive learning environment which explored ideas of collaboration and artist-practice issues through key themes in the lead artist’s practice, supported by and using as a starting point the Hackney WickED Festival 2013.
Demonstrations and Details From the Facts of Life
This exhibition catalogue illustrates ‘the facts of life’ – an interactive installation by Australian artist Lyndal Jones. The artwork questions Charles Darwin’s theories of sexual selection and the nature of human attraction and seduction. Ikon Gallery, April-May 2000.
Video Loupe
A collection of essays by and about the videomaker and critic Catherine Elwes.
Fever: Art of David Wojnarowicz
Published in conjunction with a major retrospective of the artist’s work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz’s writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.
