The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the DIY 13 project: a performance artist and novice sexual deviant attempts to liberate your orgasm via a journey through Leeds’ sex scene.
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
An ongoing series of auto-drawings exploring libidinal economies and sexual desire. Started in 2009, these works (which will continue for the rest of McKenzie's life) are made by the artist orgasming onto Universal Litmus paper, the results being meticulously recorded not only visually but also in terms of the date and time that they were 'composed'.
Conceived in January 2014, the process-based piece continues Matteo Guidi's and Giuliana Racco's investigation into the ways people bypass restrictions and limitations in their daily lives, moving through systems imposed on them.
Exhibition catalogue; 11/11/2015 – 23/1/2016, Fundacio Sunol
Contains performance programme, performance texts and 3 CDs/DVDs, which include still images, a 6 minute edit and video of the full performance.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices.
Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.
This exhibition catalogue illustrates ‘the facts of life’ – an interactive installation by Australian artist Lyndal Jones. The artwork questions Charles Darwin’s theories of sexual selection and the nature of human attraction and seduction. Ikon Gallery, April-May 2000.