The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
A new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It’s a sequel of sorts – or rather; a continuation – to a recent text that platformed a growing community of voices in theatre, art, dance and performance making.
An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
The Mums and Babies Ensemble was a series of public workshops and events convened by three mums/theatre-makers and their babies. It was prompted by the desire to integrate the structure and chaos of performance-making and motherhood, to create a space that would meet the needs of the parents and babies equally, to capture some memories, to grow a community, and to pass something on eventually.
By institute for the Art and Practice of Dissent at Home.
This volume provides students and artists with a deeper understanding of a director and playwright Richard Maxwell's work, aesthetic philosophy, and process for creating theater.
Organized as a reader, this publication examines Signer's oeuvre since the 1970s, pulling together texts from different periods on heterogeneous aspects of his body of work for the first time. Articles include specialist analyses of specific pieces and topical essays treating fundamental issues linked to his radical understanding of sculpture and the attendant philosophical questions it raises.
Suspect Culture was Scotland’s leading experimental theatre company between 1993 and 2009. This book surveys the company’s history and ideas and includes an overview of the Company by David Greig; co-founder, writer, dramaturg and sometime actor with Suspect Culture.
Discussion of works and creative process of Helen Chadwick in relation to architecture, the body, and identity
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
A practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.