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Extravagant Bodies: Crime and Punishment
Festival programme; in Croatian and English.
Festival dates: 18-25 November 2016 (Zagreb). 20-21 November 2016 (Belgrade), December 2016 (Skopje), May 2017 (London).
Forced Entertainment images
Images from In 12 am: Awake & Looking Down and Quizoola!
Dennis Oppenheim: Body Performance 1969 -73
The monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation.
Performing Idea Symposium documentation
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
Heart Beat Ear Drum: A Film About Z’EV
A portrait of the artist and musician Z'EV, known for his punk era scrap metal music – how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart.
Data Miners/Travailleurs Psychique
*currently unavailable*
Various issues, 2009-2016 + two flyers.
new territories programme
Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.
Antidote to Oblivion
Phillips dicusses the making of Performance Art in Ireland: A History.
The Balls
Broadsheet for Lady Malcolm’s Servants’ Ball, the 2016 re-enactment of the 1920s and 1930s queer parties.
Theatre and History
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
