On the use of extreme in performance.

Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.

Part of the Library of Performing Rights (LPR) (P3041).

How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?

Review of Jacques Ranciere’s The Emancipated Spectator

Analyses the dramatic works of modern German, American, English, French, and Spanish writers within their historical and cultural contexts.

See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency

A Study Room Guide on eating and dining as explored in performance

Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf