Catalogue > By Keyword > Adrian Heathfield
57 results | Page 4 of 6
Performance Matters – Terry O’Connor: Response on Duration
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. Terry O’Connor responds to the theme of ‘duration’. with Adrian Heathfield. Also see ref. D1920-1; D1923 and D1316-D1319.
PSi roundtable “New Adventures in Publishing” audio recording
Panel discussion: Part of PSi18 at University of Leeds 2012. Can be found in Digital Videos 12 folder
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Trashing Performance,Under- and Overwhelmed: Emotion and Performance, Keynote
Trashing Performance Talks. Under- and Overwhelmed: Emotion and Performance (Part 1)- the second year of Performance Matters – 25-29th October 2011.
Performance Matters: Performing Idea
Audio CD of Symposium and performances for Performing Idea.Track List:
Performing Idea: Trashing Performance preview
Performance Matters: Performing Idea – Performative Writing
8th October 3.00-7.30pm
Not Even a Game Anymore - The Theatre of Forced Entertainment
Articles by: Patricia Benecke, Tim Etchells, Matthew Goulish, Adrian Heathfield, Judith Helmer, Hans-Thies Lehmann, Florian Malzacher, Annemarie Matzke, Andrew Quick, Anke Schleper, Gerald Siegmund, Astrid Sommer. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Perfroming Idea: Performative Writing
Performance Matters: Performing Idea – Performative Writing8th October 3.00-7.30pm (not 7th as stated on disk))Toynbee StudiosWith: Hélène Cixous (on video), Matthew Goulish, Adrian Heathfield and Peggy PhelanNew forms of writing on and around contemporary art and performance have emerged in recent years, alongside the emergence of the artist as cultural critic and curator. These forms of writing often problematize the notion of critical distance, deploying creative, dialogic and autobiographical strategies to engage with the multiple affects of the artwork. To what extent may critical thinking and writing be an art form? Speakers will examine the histories, limits and possibilities of the forms of ‘performative writing’, the dynamics of the performing idea.This session on Performative Writing will also comprise a preview of Trashing Performance, the second themed year of Performance Matters, with contributions from Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson and Bird La Bird.
Performing Idea: Performative Writing
Performance Matters: Performing Idea – Performative Writing 8th October 3.00-7.30pm (not 7th as stated on disk) Toynbee Studios.
Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics7th October3:00-7:30pmToynbee StudiosWith: Ron Athey, Wafaa Bilal, Maaike Bleeker, Shannon Jackson and Julie Tolentino The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.’ Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared?
