Value, Measure, Sustainability

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković

This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.

Article in Consented Issue 9 : Environment

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.

In The Signal and the Noise, the New York Times political forecaster Nate Silver, who accurately predicted the results of every state in the 2012 US election, reveals how we can all develop better foresight in an uncertain world. From the stock market to the poker table, from earthquakes to the economy, he takes us on an enthralling insider’s tour of the high-stakes world of forecasting, showing how we can all learn to detect the true signals amid a noise of data.

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”

The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.

Edition 60/70

On making a case for arts subsidy in the face of austerity.

Documentation of the thank you event for LADA donors. Part of LADA at 20.

Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.

Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.

Part of the Library of Performing Rights ( P3041).

Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?