Part of the Theatre& series.
| Artist / Author | Joe Kelleher |
|---|---|
| Editor | Jen Harvie and Dan Rebellato |
| Publisher | Palgrave Macmillan |
| ISBN | 978-0-230-20523-9 |
| Reference | P1241 |
| Date | 2009 |
| Type | Publication |
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
A glossary of terms that come up during the desperate search for meaning that comes with an Asperger’s Syndrome diagnosis. I went through it. I know other people go through it. There are plenty of books, either more clinical, or more autobiographical out there. This one cuts straight through shackles of narrative to provide discrete chunks of information in an easy to navigate, dictionary format.
Zine featuring Caroline Thomas, Francesca Laura Cavallo, Eleni Papazoglou, Lisa Kinsolving, António Branco, Riccardo, Leonie Brandner, Matthew de Kersaint Giraudeau, Wolff-Michael Roth.
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Celebrates whales in verse and photographs, and in an anthology of prose writings from the worlds of science and literature.
Focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values.
Part of the Library of Performing Rights (P3041).
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
In exploring the human-animal relationship from the early modern period to the nineteenth century, this publication questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence.