Part of the Theatre& series.
A glossary of terms that come up during the desperate search for meaning that comes with an Asperger’s Syndrome diagnosis. I went through it. I know other people go through it. There are plenty of books, either more clinical, or more autobiographical out there. This one cuts straight through shackles of narrative to provide discrete chunks of information in an easy to navigate, dictionary format.
Zine featuring Caroline Thomas, Francesca Laura Cavallo, Eleni Papazoglou, Lisa Kinsolving, António Branco, Riccardo, Leonie Brandner, Matthew de Kersaint Giraudeau, Wolff-Michael Roth.
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Celebrates whales in verse and photographs, and in an anthology of prose writings from the worlds of science and literature.
Focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values.
Part of the Library of Performing Rights (P3041).
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
In exploring the human-animal relationship from the early modern period to the nineteenth century, this publication questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.