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| Artist / Author | New Work Network |
|---|---|
| Reference | P1463 |
| Date | 2009 |
| Type | Publication |
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
Publication for the 2011 Bucheon International Performance Art Festival with artist statements and documentation.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
establishment report for the New Work Network
Six international performance artists collaborate on a project exploring invisible disability through ‘living art’ practice. CAUTION includes one DVD of video works and one CD of talking text.
Publication discussing seminal artist and musician Cosey Fanni Tutti as methodology.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
*currently unavailable*
A ready-made kit containing all the elements needed to develop a lecture-based performance exploring the relationship between socially engaged practice and theatre. Artists featured: Dylan Tighe, theatremaker and performer; Brokentalkers (also known as Feidlim Cannon and Gary Keegan), Louise Lowe of ANU Productions and Helene Hugel, Artistic Director of Helium, as well as international examples such as Rimini Protokoll, Clod Ensemble’s Performing Medicine, young@heart, Marina Abramovic, The Red Room and many more. On over-sized shelf. Contains DVD. Inspired by ‘The Performance Pack’ by Joshua Sofaer ref number: P0533
Archive from the professional development programmes by artists for artists.
Short version London, Cultural Capital: Realising the potential of a world-class city
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.