Collected during China and Hong Kong research trip February 2004. VCD format. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Examines fandom as a set of practices for approaching and writing about art.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
A booklet which accompanies the solo exhibition of the artist, who during this section sat the last section of Visual Arts exam for the Hong Kong Certificate of Education Examination (HKCEE) due to the upcoming reform in exam mechanism within the education system in Hong Kong. She obtained a grade D.
In Chinese and English.
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
An attempt to recollect the events of racist aggression against the Chinese and Japanese immigrants on 7 September, 1907, that were long obliterated from the collective memory by the sanctioned ignorance of history.
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of the relationship between location and place and genre innovations in Hong Kong cinema.
Conference proceedings from the International Performance Art Event in Singapore 2008.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).