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On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
On observing the Wooster Group process.
From a new project inspired in equal parts by Japanese Kabuki Theatre, the vocaloid Hatsune Miku and the 1987 film Mannequin.
1 A Medea: Requiem for a Boy, 1986 (2 files)
2 Rusty Sat on a Hill One Dawn …,1987 (2 files)
3 Eva Peron, 1987
4 King Oedipus, 1987
5 Peep Show (videos used in performances), 1988 (2 files)
6 Minamata,1989 (2 files)
7 Pasos en la Obscuridad, 1990
8 The Hip-Hop Waltz of Eurydice, 1990
9 Bogeyman, 1991
10 Train Project (un-edited video project @ L.A.T.C.), 1991
11 The Blind Owl and Making of…, 1991
12 The Law of Remains, 1992
13 Simon Boccanegra, 1992 (2 files)
14 Tight Right White, 1993
15 Quotations from a Ruined City, 1994 (2 files)
16 Memorial Service, LA and NY, 1995 (2 files)
17 Mixed Images and Projects
18 Reza Abdoh, Short Video Works
19 Interview Tapes
20 Show Tapes (videos used in performances)
21 Cast Reference Video
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.