Catalogue > By Keyword > resistance
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Disagree. - a critical magazine on arts and society
The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently. They join forces under the name of the Disagree. Art assembly. Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly. The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.
Jarideh
Video documentation of an interactive performance designed for a single audience member set in a busy café environment.
Art, Activism and Ai Weiwei
The author reviews Alison Klayman’s documentary on Chinese artist Ai Weiwei “Never Sorry”.
The Contested Scenography of Revolution
Review concerned with the politicisation of public spaces in the Arab territories where uprisings turn cities into the scenography of intervention.
herbst: Theorie Zur Praxis
herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.
Planes of Composition: Dance, Theory and the Global
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
Excentricités 2010-12 – Rencontres Internationales de la Performance
A two-DVD collection of 22 performances selected from those presented at the festival between 2010 and 2012.
Communist Bigamist: Two Loves Stories
2 DVD documentation and soundtrack excerpts, plus postcards documenting the performance Communist Bigamist: Two Loves Stories.
Where Art Belongs
Examination of the artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art.
Disability Arts: From the Social Model to the Affirmative Model
The Aesthetics of Risk
This anthology of essays, images and dialogues exploring contemporary art’s engagements with risk–physical, social, political and aesthetic–brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS).
[true crime]
Publication contains 2-page event discussion and 2 stickers.
