Documentation from the ‘MY EARTH STAGLINEC’ International meeting of artists in memory of ‘Antonio G. Lauer’, showcasing performance art work from around Asia.  Croatia, 2013. Curated by Sinead O’Donnell. Contributors: Sinead O’ Donnell, Suzana Marjanic, Akiko Sato, Chumpon Apisuk, Chuyia Chia, Lee Wen, Makoto Maruyama, Miyako Narita, Vasan Sitthiket, Vichukorn Tangpaiboon, Tzu-chi-Yeh, Watan Wuma.

‘Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between ‘site’ and ‘performance’. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield

A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'. 

Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.

Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.

Documentation of a site-specific performance made for the disused Marshall Street Baths, Soho and Star Dust commissioned by Live Art Development Agency for a Variety Weekend at the newly refurbished De La Warr Pavilion, Bexhill on Sea.

Extract from “Soya Sauce and Ketchup Fight” street performance intervention in Trafalgar Square by Cai Yuan and Jian Jun Xi artistic duo known as “Mad for Real”.

Documentation of large scale performance using breeze blocks to build a temporary monument to celebrate Salisbury’s most famous and permanent one. Located and inspired by Salisbury cathedral, the piece involved 25 performers, singers and musicians, the Festival chorus and over 10,000 breeze blocks. The performance itself consisted of a network of proverbial and allegorical narratives which were given an architectural and sculptural form – a version of Breughel’s Netherlandish Proverbs.

A show in which the performer stars as himself in the attempt of creating a late-night talk show, aired on January 23, 1981.

Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings