Rekindles the debate about 'victim art' through an analysis on Arlene Croce's essay 'Discussing the Undiscussible'.
A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.
In Serbian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
A performance script based on the life stories of Cambodian artists who survived the Khmer Rouge Regime.
*currently unavailable*
First published in 1979, then in 2000, and this new edition published in 2008. Translated from Spanish by Charles A. & Maria-Odilia Leal McBride, and Emily Fryer.
A Zen re-interpretation of Samuel Beckett’s classic Waiting for Godot.
Gómez-Peña and Roberto Sifuentes, in collaboration with local artists and audiences create a poetic interactive ritual that explores the post-9/11 “body politic.”
This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100).Part of the Library of Performing Rights (LPR) (P3041).
The first major survey of one of the world’s most provocative and politically engaged artists.
On the occasion of the eponymous exhibition, May-August 2016, Tate Modern.