The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
A return to the theme of the issue around ‘the migrations of people’ and ‘writing around differing geographies and histories of travel’.
Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
A cinematic journey through love, death and language.
75 minutes.
This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
Archive and essay on the artistic exploration of exorcism. Includes a dissertation, CDs, DVDs, and objects.
In the glass cabinet.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
A chronological review of a decade of endeavours by one of the most astute Slovenian projects of contemporary performing arts. The publication with extensive visual material and excerpts from texts documents 29 performances accompanied by Dr Blaž Lukan’s essay Erasing the Audience which analyses the company’s performing strategies.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.