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Valie Export
interviews and documentation of Valie Export’s work
Brian Conolly, Artist’s Collection
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
Explosion! Painting as Action
Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.
Artificial Hells: Participatory Art and the Politics of Spectatorship
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Fluxus at 50
Catalogue presenting Fluxus stories.
*currently unavailable*
Ronald Duarte, 7
Exhibition of work by Ronald Duarte at the Laura Alvim Gallery in Brazil. 19 October – 4 December 2011. Text in Portuguese and English.
Attention Training: Immanence and Ontological Participation in Kaprow, Deleuze, and Bergson
From Performance Research – On Philosophy & Participation.
Theatre of Memory
Article on Tadeusz Kantor.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
Droga.
three accounts by three artists of one project – a series of performances and walks in Southend-on-Sea (AKA Southend-on- River) that took place in September 2009.
A Primer of Happenings & Time/Space Art
Body Art and Performance: the body as language
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
