Catalogue > By Keyword > child
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The Knotty Ethics of Using Family Material in History History History
On negotiating consent and ethics in autobiographical performance. With contributions from Mary Pearson.
Is the Artist Present? - Live (and conscious) art at a Borderline
The essay interrogates Hadas Ophrat's piece Insomnia.
Performance and the Maternal
Correspondences exchanged between the two authors as part of the Performance and the Maternal project.
Staging Age: The Performance of Age in Theatre, Dance, and Film
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
I Love My Baby and My Baby Loves Me
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Feminist Art and the Maternal
The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
4 Boys [For Beuys]
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.
Live Art and Motherhood
Two recommended reading lists of titles, artists and groups related to Live Art and Motherhood.
See uploaded files.
The Lost Runway Kyoto
Collaboration between Áine Phillips and film-maker Rachel Davies. Large scale collaborative project commemorating lost women and girls. A week long workshop process generates a collection of sculptural costumes and culminates in a runway/catwalk performance dedicated to each lost girl represented. Supported by Culture Ireland, Great Britain Sasakawa Foundation, Japan Foundation, Live Art Development Agency and British Council. Part of Louder Than Bombs – Art, Acton and Activism Project.
