This publicationis a polemic, provocative account of disappearance, forgetfulness and untimely death.
This book draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America.
This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.
A 1967 documentary film directed, produced and edited by Shirley Clarke and starring Jason Holliday, a gay, African-American hustler and aspiring cabaret performer. Black and White film. This item can be found in the locked glass cabinet.
The book exposes the activity of the OHO Group (1966-1971) and of the movement OHO-Catalogue (1966-1970) in the context of Slovene national culture, Yugoslavian socialistic culture and international youth culture of the late 1960s and early 1970s.
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept’s disintigrating authority.
Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
A comprehensive bibliography of writings on 'Action Art' in the twentieth century.
Exploring the potential of archiving, cataloguing and preservation in establishing new sites of feminist storytelling and political activism.
A look at the radical, experimental dance presented during the early 1960s at Judson Memorial Church in downtown Manhattan.