Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
|Editor||Torsten Blume, Christian Hillier, Bauhaus Dessau Foundation|
On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.
In Other Words is a collection of urgent reflections, created by 49 artists over 4 months in 2020 exploring their hopes and fears for the future at a time of global crisis. Through prose, poetry, drawing, collage and photography it is a clarion call for change from a diverse group rich in wisdom, shared experience, and what it means to be marginalised in the UK.
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
The Maternal in Creative Work examines the interrelation between art, creativity and maternal experience, inviting international artists, theorists and cultural workers to discuss their approaches to the central feminist question of the relation between maternity, generation and creativity.
Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.
In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.
Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.