The first collection of the texts by one of the world’s leading and most controversial performance artists. Diamanda Galas’s texts are interspersed with biblical passages, poetry from renowned writers and her own thoughts.
| Artist / Author | Diamanda Galás |
|---|---|
| Publisher | High Risk Books |
| ISBN | 9781852424329 |
| Reference | P2078 |
| Date | 1996 |
| Type | Publication |
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
The second volume of the landmark trilogy consent not to be a single being.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
A short documentary made during a climate change summit, COP15, which took place in Copenhagen in December 2009.
This video was part of LADA Screens, and was available online from 30 November 2015 to 13 December 2015.
HD Video, 37 minutes.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
On Taylor Mac: a 24-Decade History of Popular Music