Chinese only.
| Artist / Author | Shin-Hue Tu |
|---|---|
| ISBN | 978-957-41-4493-8 |
| Reference | P1077 |
| Date | 2007 |
| Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
An interview conducted at LADA’s new home in the Garrett Centre, Bethnal Green attempts to find out why the artist gave over his life to art.
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
Catalogue; 24-27 November 2005, Bangkok, Thailand.
Part of the Library of Performing Rights (LPR).
The volume introduces English language readers for the first time to work by an emerging group of critics and artists addressing the legacies of colonial violence in present-day Japan. The volume contains translated essays, and an accompanying DVD with artist interviews.
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
A monograph documenting the artist's life and work; includes photographs which have never before been reproduced, a selection of his short texts and poems, which reflect his feelings on the open question of the relationship between art and life, and two newly commissioned essays by Guy Brett and Nick Sawyer.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.
This textbook introduces the important traditions and conventions of the modernist avant-garde, reassesses theatrical techniques, and provides examples of plays and performances from across Europe and America.
Documentation from the ‘MY EARTH STAGLINEC’ International meeting of artists in memory of ‘Antonio G. Lauer’, showcasing performance art work from around Asia. Croatia, 2013. Curated by Sinead O’Donnell. Contributors: Sinead O’ Donnell, Suzana Marjanic, Akiko Sato, Chumpon Apisuk, Chuyia Chia, Lee Wen, Makoto Maruyama, Miyako Narita, Vasan Sitthiket, Vichukorn Tangpaiboon, Tzu-chi-Yeh, Watan Wuma.