Issue no 10/11 , 2000 , edited by Sue Golding and produced by the department of theory at the Jan van Eyck academy in Maastricht.
| Editor | Sue Golding and Johnny de Philo |
|---|---|
| Publisher | Authors and Jan van Eyck Akademie |
| ISBN | 90-72076-13-3 |
| Reference | P1316 |
| Date | 2000 |
| Type | Publication |
Documents Bern’s performance scene. In German.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
On dance and new performance work.
In misc folder 7.
Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
Project publication: on festival collaboration and festival criticism.
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
Provides a survey of the work of Christo and his wife, Jeanne-Claude, who specialize in creating art on a monumental scale.