Documentation Bank: Harminder Singh Judge

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Artist/Author: Bogdan Szyber | Reference: P4198 | ISBN: 978-91-88407-18-4 | Type: Publication

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

Artist/Author: Jimena Ortuzar | Reference: A0899 | ISBN: 1352-8165 | Type: Article

On Filipina labour and amateur performance in Hong Kong.

Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.

Artist/Author: Danielle L. McGuire | Reference: P4194 | ISBN: 9780307389244

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer–Rosa Parks–to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against Black women and added fire to the growing call for change.

Artist/Author: Leslie Hill, Helen Paris | Reference: P4190 | ISBN: 978-1789384710 | Type: Publication

This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.

Artist/Author: Emilyn Claid | Reference: P4189 | ISBN: 978-1-3500-7571-9 | Type: Publication

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.

Editor: Jennie Klein, Natalie Loveless | Reference: P4173 | ISBN: 9781789380972 | Type: Publication

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

Artist/Author: Guillermo Gómez-Peña | Editor: Emma Tramposch, Balitrónica Gómez, Elaine A. Peña, William Stark | Reference: P4170 | ISBN: 9780367219253 | Type: Publication

Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

Artist/Author: Lucy Lopez, Alba Colomo | Reference: P4167 | Type: Publication

“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”

The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.

Edition 60/70

Artist/Author: Sibylle Peters | Reference: P4165 | ISBN: 978-1-8380229-3-8 | Type: Publication

This story is a product of lockdown, of not being able to create gatherings and experiences with, and for, other people. It is an account of intensely personal histories and experiences, that usually stay behind the screens. It is also a document of the Heteraclub project and the safe space created there, in which hundreds of women shared their stories of love and pleasure.

Artist/Author: Anne Käthi Wehrli | Reference: P4132 | ISBN: 978-3-033-05919-1 | Type: Publication

A selection of poems and illustrations.

Kindly donated as part of the Swiss Live Art Study Room Guide.

Text in German.